Luc Besson Interview: Luc Who’s Talking
June 1st, 2007 | by Matt McAllister
Luc Besson marked himself out as one of the most innovative directors of the 1980s with slick hits such as
June 1st, 2007 | by Matt McAllister
Luc Besson marked himself out as one of the most innovative directors of the 1980s with slick hits such as
May 7th, 2007 | by Matt McAllister
Cave-dwelling dwarfs, circus performers who worship an armless god, excrement that turns into gold… When you see a picture by
May 6th, 2007 | by Matt McAllister
Truth be told, Left Bank is the kind of movie where it’s best to go in knowing as little as
April 30th, 2007 | by Matt McAllister
Following the relative disappointment of the bloated Hollow Man, Paul Verhoeven has returned to the less special effect-heavy Dutch movies
April 20th, 2007 | by Matt McAllister
When Stuart Gordon’s Re-Animator arrived in 1985, it set a benchmark in horror-comedy that few films have matched since. The
March 31st, 2007 | by Matt McAllister
Robert Altman is best remembered for his acclaimed 1970s pictures (M*A*S*H, Nashville, The Long Goodbye, McCabe & Mrs Miller) and
March 25th, 2007 | by Matt McAllister
Although perhaps not quite as well known on these shores as his fellow countryman Pedro Almodovar, the movies of Bigas
March 20th, 2007 | by Matt McAllister
Last year’s remake of The Hills Have Eyes took everyone by surprise. Alexander Aja faithfully recreated Wes Craven’s 1977 classic,
March 5th, 2007 | by Matt McAllister
Mulholland Drive opens with jaunty couples dancing the jitterbug against a white background. The tone is toe-tappingly upbeat, joyful and
February 1st, 2007 | by Matt McAllister
Low-budget science-fiction is as integral to the genre as much as the multi-million dollar space operas that clog up cinemas