Ginger Snaps
January 1st, 2003 | by Nik Huggins
The prospect of juxtaposing the physical and emotional complexities of puberty and blossoming (predominantly female) sexuality with the generic conventions
January 1st, 2003 | by Nik Huggins
The prospect of juxtaposing the physical and emotional complexities of puberty and blossoming (predominantly female) sexuality with the generic conventions
January 1st, 2003 | by Ed Colley
Last Party 2000 has a lot going for it. Narrated by the universally-loved actor Philip Seymour Hoffman, this documentary is
January 1st, 2003 | by Nik Huggins
The Pledge stands as proof that very fine actors can adopt the role behind the camera and produce work shot
January 1st, 2003 | by Nik Huggins
“Croupier”, the latest offering from “Get Carter” director Mike Hodges partially revisits some of the concepts explored in his earlier
January 1st, 2003 | by Nik Huggins
Going further than simply proving that contemporary Scandinavian filmmaking is flourishing stylistically and formally (see Denmark favourite cinematic son Lars
January 1st, 2003 | by Nik Huggins
L.I.E is a film that you can’t trust: what do I mean by this? I will explain below. L.I.E is
January 1st, 2003 | by Nik Huggins
Fade up to a panoramic, low angle shot of the parched and dusty Texas countryside, a car racing across the
January 1st, 2003 | by Nik Huggins
Now don’t tell me you never wanted to BE Michael J Fox when you were growing up!? If you are
January 1st, 2003 | by Nik Huggins
Far from renouncing the role of Dr Hannibal Lecter for good, Anthony Hopkins has launched himself into another sequel (or
October 4th, 2002 | by Nik Huggins
The millennial cult of reality TV has dominated broadcasting schedules around the globe in recent years, quenching our voyeuristic desires