Max
June 20th, 2003 | by Nik Huggins
Max proposes a number of “What If?” questions about the possibility of 20th Century history turning out a different way
June 20th, 2003 | by Nik Huggins
Max proposes a number of “What If?” questions about the possibility of 20th Century history turning out a different way
June 20th, 2003 | by Nik Huggins
A surprisingly winning formula receives a fuel-injection as the most horsepower-enriched franchise of them all returns with a second instalment,
June 20th, 2003 | by Adrian Mackinder
The most effective and disturbing horror films owe their success in part to grounding their horror not in some otherworldly,
June 13th, 2003 | by Ed Colley
The path of romantic comedy cinema is strewn with the decomposing bodies of films that have died an early, painful
June 6th, 2003 | by Nik Huggins
An artists’ attempt at liberated and objective forms of expression in the midst of political upheaval is a very real
June 6th, 2003 | by Jay Richardson
There are, Jack Nicholson informs Adam Sandler in Anger Management, two kinds of angry people: Those who explode, directing their
May 16th, 2003 | by Jay Richardson
As one of the most troubled and politically complex eras in British history, filming the English Civil War was never
May 9th, 2003 | by Jay Richardson
Director David Mackenzie’s Young Adam, with Ewan McGregor, Peter Mullan and Emily Mortimer, is currently appearing in cinemas, but in
May 5th, 2003 | by Nik Huggins
The first summer blockbuster of the year, X-Men 2 receives its world release on May 1st in an effort to
May 5th, 2003 | by Ed Colley
X2 should be one of the most successful films of the year. It is based on one of the best-loved