John Gaeta Interview: Speed Camera
October 4th, 2008 | by Jay Richardson
Special effects pioneer John Gaeta won an Oscar for his ‘Bullet Time’ sequences in The Matrix, overseeing visual effects for
October 4th, 2008 | by Jay Richardson
Special effects pioneer John Gaeta won an Oscar for his ‘Bullet Time’ sequences in The Matrix, overseeing visual effects for
July 4th, 2008 | by Jay Richardson
Kung-Fu Panda looks fantastic and kids will adore its roly-poly, furry hero. But this is strictly formulaic animation from DreamWorks,
June 25th, 2008 | by Jay Richardson
The special effects and action sequences may be cutting-edge, state-of-the-art. But Wanted taps into an age-old narrative fantasy of empowerment
June 13th, 2008 | by Jay Richardson
With a lightness of touch that Hollywood would undoubtedly struggle to reproduce, Priceless (Hors de prix) is a frivolous French
May 16th, 2008 | by Jay Richardson
A film about the intelligent behaving foolishly, Smart People has echoes of Sideways and The Squid and the Whale. Yet
May 11th, 2008 | by Jay Richardson
Blessed are the geeks, for they shall inherit the universe. From its first airing in 1999, Futurama has been enjoyed
May 9th, 2008 | by Jay Richardson
After taking on McDonalds, crusading filmmaker Morgan Spurlock strives to bring an even greater evil to justice. Where in the
May 5th, 2008 | by Jay Richardson
British director Neil Marshall, who won plaudits for the macabre Dog Soldiers and chilling The Descent, returns to cinemas with
April 25th, 2008 | by Jay Richardson
Billed as Russell Brand’s Hollywood arrival, the comedian’s acting chops in Forgetting Sarah Marshall must have sufficiently impressed producer Judd
April 4th, 2008 | by Jay Richardson
Awake is a truly bizarre film, a brave, high-concept conspiracy thriller that falls short of its ambitions under the weight